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Dans un futur proche où la fonte des glaces a submergé la majorité des terres habitables, les robots communément appelés les ‘Mecas’ font partie de la vie quotidienne des hommes. Les naissances étant sévèrement contingentées, le professeur HOBBY souhaite créer un enfant robot capable de développer au contact des humains un vaste répertoire d’émotions, de désirs et de souvenirs. David, première machine sensible, fait alors son entrée chez Henry et Monica SWINSON. Bientôt, abandonné par sa mère adoptive, David entame un périlleux voyage à la recherche de son identité et de sa part secrète d’humanité… Son but : reconquérir l’amour de sa mère.
Réalisateur ‏ : ‎ Spielberg, Steven
Format ‏ : ‎ Couleur, Cinémascope, Secam
Durée ‏ : ‎ 2 heures et 21 minutes
Date de sortie ‏ : ‎ 24 avril 2002
Acteurs ‏ : ‎ Joel Osment, Haley, Law, Jude, O’Connor, Frances, Gleeson, Brendan, Hurt, William
Langue ‏ : ‎ Non prévu (Stéréo)
Studio  ‏ : ‎ Inconnu
ASIN ‏ : ‎ B00005R18S
Pays d’origine ‏ : ‎ France
Prix : 20,00€
(à partir de Jun 05, 2025 08:33:13 UTC – Details)

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Les acheteurs donnent la note de 4.5/5 à cet article

Avis sur le films
Reviewer: lucie mauny
Rating: 5,0 sur 5 étoiles
Title: Super film
Review: Très beau film
Reviewer: Erwann
Rating: 5,0 sur 5 étoiles
Title: J’ai adoré ce Pinocchio façon Spielberg
Review: Quand on aimerait garder ses enfants au même age pour toujours ??Pour l’instant on vieillit et on meurt, donc intelligence artificielle ou biologique, quand l’enfant ne vieillit pas qui s’en occupera après !!!Pour ceux qui ne voient pas ce que je veux dire, chercher sur Youtube les cas des enfants qui une fois arrivé à un certain stade physique 2ans, 5ans, 11ans ne changent plus d’apparence physique.voir « watch?v=YUPZzJ6Pe64 » sur youtube.Mais bien sur comme nous il meurent, car les télomères de leur ADN, se raccourcissent à la même vitesse que pour n’importe quel humain!!Ou chercher « 40 year old child » sur google, et prendre le lien youtube qui fait ~ 41 mn, et vous y verrez plein de ces cas!Qu’il s’agisse du « garçon » du film A.I., ou ces cas réel ça fait réfléchir, surtout quand on est croyant, sur l’humanité en général et sa capacité d’aimer au delà de l’imaginable !!!!!
Reviewer: PG73
Rating: 5,0 sur 5 étoiles
Title: Un chef d’oeuvre ! Merci Spielberg !
Review: Je sais, j’ai entendu bien souvent des commentaires de « critiques » cinéma descendre en flèche ce film, le reléguant presque au rang de navet…. C’est tout simplement scandaleux et idiot, car ce film est vraiment génial de bout en bout…. Un triptyque ayant pour fil conducteur l’intelligence artificielle d’un petit robot programmé pour aimer sa mère sans condition…. Avec en filigrane la légende de Pinocchio comme seul espoir pour la quête de cet « enfant »…. Que de symboles et de références à l’histoire, à la littérature, dans ces trois moments aux esthétiques parfaites et variées dans lesquelles le génie de la caméra de Spielberg s’exprime à chaque plan…. Du grand cinéma, intelligent, construit, beau, émouvant, et sans aucun doute prémonitoire…. un des mes films préférés que j’emporterais volontiers sur une île déserte ! Quant à la musique de John Williams, c’est une fois de plus le diamant sur l’écrin de velours….
Reviewer: Client d’Amazon
Rating: 5,0 sur 5 étoiles
Title: Dvd
Review: Bon DVD, bien emballé
Reviewer: causse
Rating: 4,0 sur 5 étoiles
Title: Un androïde plus humain que les humains
Review: Bon scénario, belles images, Spielberg est en forme. Une certaine esthétique des années 80 parfois, c’est le seul petit bémol
Reviewer: ronan
Rating: 5,0 sur 5 étoiles
Title: A.I.
Review: Un film remarquable. Une finesse lié à une justesse d’interprétation d’acteurs qui fera vibrer les plus sensibles d’entres nous et fondre littéralement les autres. La qualité en Blu-ray, de ce film , donne une touche bien plus profonde à ce chef-d’œuvre du cinéma moderne. Je conseil ce film à toutes et à tous , sans restriction d’âge. Et à voir et à revoir seul ou en famille.
Reviewer: Client d’Amazon
Rating: 5,0 sur 5 étoiles
Title: Merci
Review: Coli reçu. Bon courage
Reviewer: DJ
Rating: 5,0 sur 5 étoiles
Title: BEAU FILM
Review: Qualité d’image correcte avec un léger grain vidéo. Rien de transcendant donc au niveau de l’image. Bon son. Superbe film que tout le monde connaît ou devrait connaître. Une petite merveille de Steven Spielberg avec beaucoup de sentiments à l’écran dans ce monde de science fiction où s’opposent les humains (orgas) aux robots (mécas). Interprété magistralement par HALEY JOEL OSMENT, JUDE LAW, FRANCES O’CONNOR, on passe un moment formidable. Je ne vous en dirai pas trop sur ce film car vous devez le découvrir par vos propres yeux et votre coeur et laisser la magie opérer. Juste que c’est un beau film.
Reviewer: PAOLO
Rating: 5,0 sur 5 étoiles
Title:
Review: Il venditore è stato eccezionale.Spedizione immediata, consegna in largo anticipo rispetto i tempi stimati, ottimo prezzo.Se posso consigliargli un accortezza, gli proporrei di usare più pluriball per garantire l’integrità del prodotto.Io sono stato fortunato perchè è arrivato perfettamente intatto ma la confezione era letteralmente devastata per incuria di corrieri e servizio postale.Conoscevo già il film e ne ero assolutamente innamorato.Il cast eccezionale, la regia coinvolgente e la fotografia stimolante rendono il tutto un ottimo prodotto.Il film è importante, commovente, intenso e profondo quindi ad alcuni potrebbe risultare noioso se non disposti a goderselo ponendosi domande o trovando risposte.L’amore è il filo che collega tutto.Un amore viscerale ma che nasce…da circuiti.L’audio del DVD è molto buono ma il lavoro nella trasposizione grafica è molto mediocre, la qualità video lascia un po’ a desiderare (ma questa non può essere colpa del venditore e quindi non abbassa la valutazione della recensione).Nel complesso è un titolo che merita di stare in una collezione che si rispetti.
Reviewer: continue2062
Rating: 5,0 sur 5 étoiles
Title:
Review: Glad to find this old gem. Love the movie and the quality of the disc. It was reasonably priced as well.
Reviewer: 匿名さん
Rating: 5,0 sur 5 étoiles
Title:
Review: ロボット映画の金字塔か感情移入してしまう作品だった
Reviewer: William R.
Rating: 5,0 sur 5 étoiles
Title:
Review: « A.I. Artificial Intelligence », or « A.I. », is a Steven Spielberg American science fiction fantasy drama film, released June 29, 2001, loosely based on the 1969 short story « Supertoys Last All Summer Long » by Brian Aldiss; hailed as one of Spielberg’s best works and one of the greatest films of all time; set in a futuristic society, the film stars Haley Joel Osment as ‘David’, a childlike ten-year-old sentient android uniquely programmed with the ability to love who, like ‘Pinocchio’, wishes to become a ‘real boy’; also starring William Hurt as ‘Professor Allen Hobby’, mastermind of A.I. and David’s creator; ‘Teddy’, an animatronic puppet robotic teddy bear, who serves as David’s sidekick; Frances O’Connor as ‘Monica Swinton’, David’s adoptive mother; Jude Law as ‘Gigolo Joe’, a true ‘love machine’ sex-toy android; and Jake Thomas as ‘Martin Swinton’, David’s stepbrother.At the time this movie came out and was first released on DVD, I purchased the 2-disc special edition on March 5, 2002. This is a wonderful and extremely interesting movie, which I have watched many times. The story still fascinates, and it is timeless. This review discusses « spoilers » intended for viewers who have seen the movie and now contemplate its present relevance, with this recommendation to watch the film again.In today’s world, more than 20 years later, I now see everything in a new light, the light of thought-provoking relevance and a message. Now that Artificial Intelligence has become a reality in the forefront of today’s news, with Google’s and Microsoft’s recent implementations; with Turing laureates Geoffrey Hinton and Yoshua Bengio, and physicist Stephen Hawking and business magnate Elon Musk, and dozens of artificial intelligence experts signing open letters on artificial intelligence, calling for research on how to prevent certain potential « pitfalls »; I see in the movie « A.I. Artificial Intelligence » a tacit revelation of biases of which we are not even aware; elusive flaws in character, committed unwittingly, not by choice; rather, a weakness from an excess of virtue, a guilt of hubris, an overstep in limitations; and I see the concept of potential « pitfalls » in developing artificial intelligence algorithms in the same light as edified by those preeminent experts – Hawking, Hinton and Musk. Moreover, I now view notable science fiction in the light of such luminaries as Jules Verne (Twenty Thousand Leagues Under the Seas, pub. 1871), George Orwell (1984, pub. 1949), Isaac Asimov (The Evitable Conflict and I, Robot, pub. 1950), H.G. Wells (World Brain, 1936 – 1938), and Aldous Huxley (Brave New World, pub. 1932), who’s olden fiction actually imagined what you might recognize today, as giving credence to a subliminal if not an implied notion of flawed algorithm, prophetically conjured in Spielberg’s « A.I. ». In a recent interview, Spielberg said of artificial intelligence, « It’s got me very nervous; the soul is unimaginable and ineffable; the soul cannot be created by any algorithm; it is just something that exists in all of us; and to lose that because it is being written by machines that we created… that terrifies me. »The story takes place in the distant future of the 22nd century, when rising sea levels from global warming have wiped out 99% of existing cities, reducing the world’s population, and mechanical (aka ‘mecha’) humanoid robots, capable of complex assignments but lacking emotions, have been created as replacements. The movie « AI: Artificial Intelligence » begins with the brilliant scientist ‘Professor Allen Hobby’ saying, « I believe that my work on mapping the impulse pathways in a single neuron can enable us to construct a mecha of a qualitatively different order. « I propose that we build a robot who can love, » and he tells his Cybertronics Corp engineers, « You see, what I’m suggesting is that love will be the key by which they acquire a kind of subconscious never before achieved. An inner world of metaphor, of intuition, of self-motivated reasoning. Of dreams. « Ours will be a perfect child caught in a freeze-frame – always loving, never ill, never changing. With all the childless couples yearning in vain for a license, our little mecha would not only open an entirely new market, it will fill a great human need. »Scholars write that « in the real world, an algorithm is not an objective tool; algorithms are a computer-simulated reflection of encoded human expectations; it is as human as the programmer who codes it, and humans are biased. Algorithms in the real world cannot act on their own. These algorithms are built and designed by humans, and all the input is curated, selected, and created by humans. And they bear the humans’ faults. Algorithms are the literal manifestation of “playing by someone else’s rules.” So, algorithms, the underlying process of decision-making in artificial intelligence systems, are imperfect, prone to bias, and make unpredictable decisions that impact the future. The first challenge is implicit bias, which is the unconscious perceptions people have that cloud their thoughts and actions. »In the introduction, rationalizing his creation of an android capable of love, Professor Hobby says, « But in the beginning, didn’t God create Adam to love him? » and this gives us a euphemistic glimpse of his hubris in the creation of an idealized love. As his creation, ‘David’, a ten-year-old child-like sentient android (mecha) uniquely programmed with the ability to love, becomes self-aware and self-improving, we come to see in retrospect that he is no different from his maker, that Doctor Hobby’s subconscious biases are manifest in David’s algorithm characteristics of love as egocentric, selfish, adaptive, and obsessive, to the detriment of all else, elusive of every virtue, not by design but by assimilation of the character flaws inherent in the implicit bias corrupting the algorithm written by his maker. David’s egoism, resting solely on self-interest, is unmistakably obvious near the conclusion of his quest for love. David finds his way back to Cybertronics and, wandering about, he finds another mecha that looks just like him. Disturbed, David wildly destroys it in a confused and jealous psychopathic rage. Continuing to look around, he finds the different mechanical items that were instrumental in his creation, as well as fully-boxed ‘David’ and ‘Darlene’ units for consumer purchase. Confronting Professor Hobby upon discovery, David says, « I thought I was one of a kind, » to which Hobby replies, « My son was one of a kind, » a reference to modeling David in the exact likeness of Hobby’s real-life son that died, « You are the first of a kind, » to which David replies, « My brain is falling out, » giving further evidence of the instability inherent in the algorithm written by Professor Hobby. We recognize this flawed artificial intelligence only in hindsight because we are beguiled by the illusion of unrequited love. The moral is this, « We must recognize our limits and respect them. »Apropos: The name of Professor Hobby’s artificial intelligence engineering firm, ‘Cybertronics’, has an obscure literary connotation with cryptic allusion to cognitive bias in developing artificial intelligence, raising the question of whether the movie’s story is fiction or prescience. Notably, Jules Verne’s 1871 classic ‘Nautilus submarine’ from his novel « Twenty Thousand Leagues Under the Seas » became a reality 80 years later in the form of the USS Nautilus (SSN-571) commissioned in 1954. There are many previously mentioned examples of so-called fiction that have become reality. More relevant is the portent of implicit or cognitive bias algorithm given by science fiction writer Isaac Asimov (1920 – 1992) in « The Evitable Conflict » and the « I, Robot » series, both published in 1950, in which the sentient artificial intelligent « Machine » reason that their necessity to humanity is to take control to protect humanity from itself. A prescient warning.One of the more interesting aspects of Leonardo Da Vinci’s inventions and discoveries is that they had no real influence on future generations because they were trapped and kept hidden from everyone until hundreds of years later, after they had already been « re-discovered. » He never published any of his findings because some would be considered « heresy » and « blasphemous, » and others because he did not want them to fall into the wrong hands. Others because he knew they would not be possible until the far future. A precursor to what Galileo would later undergo, for Galileo was not so wise and was condemned for heresy in 1633 because the Church held that heliocentrism was a « foolish and absurd philosophy, and formally heretical since it explicitly contradicts in many places the sense of Holy Scripture. »“All our knowledge hast its origins in our perceptions … In nature there is no effect without a cause … Experience never errs; it is only your judgments that err by promising themselves effects such as are not caused by your experiments … Science is the observation of things possible, whether present or past; prescience is the knowledge of things which may come to pass.”― Leonardo da Vinci (b. April 15, 1452, Anchiano, Italy; d. May 2, 1519, Château du Clos Lucé, Chapel of Saint-Hubert, Amboise, France)Source: The Notebooks of Leonardo da Vinci (1883): published by Jean Paul Richter (1883),as translated into English by Mrs. R. C. Bell and Edward John Poynter,XIX Philosophical Maxims. Morals. Polemics and Speculations.
Reviewer: Dan
Rating: 3,0 sur 5 étoiles
Title:
Review: Amazing film! Though, I was surprised to see the box set in French. Was returned to Amazon. Perfect for anyone who can read French I guess!

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