The Women

DVD et Blu-ray > Films

The Women, 1 DVD, 109 minutes
Rapport de forme ‏ : ‎ 1.85:1
Production interrompue par le fabricant ‏ : ‎ Non
Classé ‏ : ‎ Tous publics
Dimensions du colis ‏ : ‎ 18,03 x 13,76 x 1,48 cm; 83,16 grammes
Réalisateur ‏ : ‎ Diane English
Format ‏ : ‎ Cinémascope, Couleur, Plein écran, PAL
Durée ‏ : ‎ 1 heure et 50 minutes
Date de sortie ‏ : ‎ 17 février 2010
Acteurs ‏ : ‎ Meg Ryan, Annette Bening, Eva Mendes, Debra Messing, Jada Pinkett Smith
Doublé : ‏ : ‎ Français, Anglais
Sous-titres : ‏ : ‎ Français
Langue ‏ : ‎ Anglais (Dolby Digital 5.1), Français (Dolby Digital 5.1)
Studio  ‏ : ‎ TF1 Studio
ASIN ‏ : ‎ B002ZIZKPU
Nombre de disques ‏ : ‎ 1
Prix : 6,90€ - 10,03 €
(à partir de May 27, 2025 09:10:17 UTC – Details)

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Les acheteurs donnent la note de 4.5/5 à cet article

Avis sur le films
Reviewer: KJ
Rating: 5,0 sur 5 étoiles
Title: Mon film prefere de tous les temps!
Review: Ce film est vraiment mon prefere……mais je pense qu’il faut avoir vecu une situation similaire a celle de Meg Ryan, avoir d aussi bonnes copines, une relation particuliere avec sa mere et avoir vecu cette transformation de chenille a papillon a travers le cocon. Ce film parle de solidarite feminine, de comment on definit le succes, de ce qui compte vraiment dans la vie et tout simplement de qu’est-ce que ca veut dire d’etre une femme, comment on se definit. Ce film est plus profound qu il n’y parait, Meg Ryan est geniale comme d’hab ainsi que toutes les autres actrices que j’adore. C’est une equipe gagnante qui sait bien mettre en avant la problematique de comment une tromperie dans un mariage affecte bien plus que simplement le couple. Et en plus ce film est marrant. Bref, j’adore! A voir et a revoir!
Reviewer: eve
Rating: 5,0 sur 5 étoiles
Title: parfait!
Review: Dvd en excellent état, l’envoi était bien sécurisé. Rien a dire de négatif tout va bien! Merci cela correspond parfaitement à la description du produit.
Reviewer: anne
Rating: 5,0 sur 5 étoiles
Title: je conseille ce film a toutes les femmes
Review: dvd interressant, il raconte la vie quotidienne de beaucoup de femmes dans un esprit de derision film feministe c est tres bienfilm a regarder plusieurs fois donne de la bonne humeur
Reviewer: Claude HEBERT
Rating: 4,0 sur 5 étoiles
Title: Très bon film
Review: Je n’avais jamais vu ce film mais je ne regrette pas mon achat. Les actrices sont justes dans leur interprétation et j’ai bien aimé l’ensemble où certaines scènes sont assez cocasses.
Reviewer: Simon
Rating: 1,0 sur 5 étoiles
Title: A éviter
Review: Un film très ennuyant, il ne se passe rien ou presque rien dans ce film qui pouvait avoir un peu de potentiel mais qui est en fait très décevant du à ça mauvaise mise en scène.
Reviewer: Anne Michaud
Rating: 4,0 sur 5 étoiles
Title: Bien construit bien écrit
Review: Des dialogues simples qui résument tout ce que les femmes peuvent ressentir vivre ou imaginer. Un jeu d actrice un peu trop amerloque en mode Oh My God.
Reviewer: mashpro
Rating: 2,0 sur 5 étoiles
Title: The women
Review: Finalement, j’ai été déçu par ce film.
Reviewer: Yam
Rating: 3,0 sur 5 étoiles
Title: Déçue
Review: C’est annoncé comme une comédie mais je n’ai pas beaucoup ri en visionnant cette histoire d’amitiés féminines et de mari adultérin.C’est une histoire simple voire facile. La fin est prévisible.C’est dommage car le casting est fantastique.La seule prouesse que je reconnais est qu’il n’y a aucun personnage masculin notable.
Reviewer: POPS1234
Rating: 5,0 sur 5 étoiles
Title:
Review: COMMEDIA DIVERTENTE E BEN INTERPRETATA DALLE ATTRICI CHE NE HANNO PRESO PARTE. PUR TRATTANDO UN TEMA SPESSO CITATO NELLA NOSTRA SOCIETA’, CIOE’  » L’ABBANDONO DEL MARITO PER UN’ALTRA PIU’ GIOVANE », L’UMORISMO E LA CARICA DELLA RYAN E DELLE ALTRE, LO RENDE MOLTO LEGGERO E VERAMENTE PIACEVOLE. LO CONSIGLIO A TUTTI.
Reviewer: ｋａｚｕｅ
Rating: 5,0 sur 5 étoiles
Title:
Review: 男性が出てこない！！すごいですね！友情がすごく良い感じに仕上がってますね。
Reviewer: Mike Leone
Rating: 5,0 sur 5 étoiles
Title:
Review: Warning: minor spoilers ahead.I found this remake of the 1939 film The Women to be quite enjoyable. I was worried that it was going to purge all the bitchiness of the original, but some of that remained, and it is quite witty and clever in other places and ways.Even though it makes about as much sense to me to compare the two versions of The Women as it does to compare Massenet’s Manon to Puccini’s Manon Lescaut or Puccini’s and Leoncavallo’s versions of La Bohème with each other, I’m going to do that anyway. I’ll say up front that I think there is room for both versions.Contrary to what is implied in the trailer, the remake has more in common with the original than I had first thought. It carries over several lines from the original, including two of the very best lines. There are places where it is obvious that they are setting up to bring over one of the original wonderful lines and those sequences are lots of fun because of the anticipation that the line is coming. The best line from the original (the one about the kennel), on the other hand, shows up with almost no warning and in a very different place, spoken by a different character.The film doesn’t follow the original scene-by-scene by any means. There are some unusual plot twists such as having the phone call Crystal Allen gets at Saks Fifth Avenue, which is how it is known in this picture (as opposed to the thinly-disguised Black’s in the original), take place at, rather than behind, the perfume counter, so that the women who are « creeping up on her » (this phrase is not carried over) get to witness the call. Also the manicurist, who is called Tanya rather than Olga in this version, is brought back toward the end for an interesting plot twist. There is a fashion show although in this version it is part of the story and not just a divertissement. While the implication is there in the original that the writer character played by Jada Pinkett Smith has an alternative lifestyle, they leave no doubt of that in this version.There are differences, of course. Bette Midler plays the fairly small part of the Comtesse de Lave, who goes by a different name, although she acknowledges that sometimes people call her « The Countess. » While Buck (different last name, which I don’t recall) is mentioned, nothing really comes of that subplot other than the implication that the Comtesse may end up making him husband number six. Buck never gets involved with Crystal either. The biggest change is the character of Sylvie (rather than Sylvia) Fowler, who does not gloat over Mary Haines’ sufferings; she feels genuine remorse at having played a part in the publication of the story of the fight between Mary Haines and Crystal Allen. She is loyal to Mary Haines throughout the film, even during the disruption in their friendship, and so she never makes friends with Crystal Allen. In fact, it could easily be argued–especially on the basis of one of Mary Haines’ lines–that Mary’s relationship with Sylvie is more important to her than her relationship with Stephen. Little Mary obviously thinks very highly of Sylvie as well. Then again, this is much more a pro-woman picture than the original. It was probably influenced to an extent by Sex and the City from what I gather (I haven’t seen it), so it only makes sense that the women would take their relationships with each other very seriously. Another difference is that there is one male character in this version although it is entirely possible that that character is at least played by a female.Accordingly, since Sylvie and Crystal never become friends, Sylvie is not involved in the scene in Crystal’s bathroom. That scene, now only involving Crystal and Little Mary, brief as it is, tracks the original more closely than any other part of the film, or maybe it only seems that way because Eva Mendés has obviously studied Joan Crawford and her speech patterns and reactions in that scene very closely. There is another superfluous and not really believable–or maybe it is, in a way, given the way things are nowadays–plot twist involving Crystal, who otherwise does not reappear in the film after the scene in her bathroom, that comes out during the closing credits.I thought it bogged down a bit about two-thirds of the way through the film, and perhaps that was because that was the place where it diverged the most from the original. On the other hand, there were certainly places where I found the lines funny or where I was completely engaged in the film where those sections had nothing to do with the original.I don’t follow modern films that closely so I’ll avoid detailed comments on the actresses. I’ll simply say that I thought the acting was good throughout and I really liked the girl who played Little Mary. I wouldn’t say she was better than the original, whose character and acting style was very much of that period. The one actress in this film whose work I am familiar with is Debra Messing, from Will and Grace, and I must say that she has amazing breath control as is evidenced by the final scene. The trailer made it look as though her role was much more prominent than it turns out to be, possibly to take advantage of her being possibly the best known actress of any in the film. She is very important in the heartwarming ending, however. Some of the important characters from the original are missing, such as those played by Paulette Goddard and Joan Fontaine. Thre is no divorce ranch so there is no Marjorie Main either. I wish the wonderful Carrie Fisher had had a larger role.Anyway, aside from the little bit of time where the film bogs down in the middle, the two hours went by pretty quickly. The Women is certainly a better film than the reputation it has garnered. Comparing it to the original film, I probably would have only given it four stars. However, since I think the film stands well on its own without reference to the very different original (which I also love), I’m giving it five.
Reviewer: MARIA JOSE PACHECO
Rating: 5,0 sur 5 étoiles
Title:
Review: FUNCIONO PERFECTO
Reviewer: monika
Rating: 5,0 sur 5 étoiles
Title:
Review: schau ich mir gerne immer wieder mal an

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