Potiche [Blu-ray] – Artia13 est rémunéré par notre partenaire Amazon

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Potiche, 1 Blu-ray, 103 minutes
Aspect Ratio ‏ : ‎ 16:9 – 1.85:1
Rated ‏ : ‎ Universal
Package Dimensions ‏ : ‎ 18.03 x 13.76 x 1.48 cm; 80 g
Director ‏ : ‎ François Ozon
Media Format ‏ : ‎ Colour
Run time ‏ : ‎ 1 hour and 43 minutes
Release date ‏ : ‎ 16 Mar. 2011
Actors ‏ : ‎ Catherine Deneuve, Gérard Depardieu, Karine Viard, Fabrice Luchini, Judith Godreche
Dubbed: ‏ : ‎ French
Subtitles: ‏ : ‎ French
Language ‏ : ‎ French (DTS-HD 5.1)
Studio ‏ : ‎ France.TV Distribution
ASIN ‏ : ‎ B004FQC0B2
Number of discs ‏ : ‎ 1
Prix : €12.00
(à partir de Jun 03, 2025 22:59:02 UTC – Details)

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Les acheteurs donnent la note de 4/5 à cet article

Avis sur le films
Reviewer: Mr. GM
Rating: 5.0 out of 5 stars
Title: À hurler de rire!!!
Review: Fou, rire, garanti dans ce film formidable avec Catherine Deneuve et Fabrice Luchini
Reviewer: Mamanyou
Rating: 5.0 out of 5 stars
Title: A mourir de rire !
Review: Des acteurs formidables, un scénario bien mené, des images superbes appuyées par une belle mise en scène et des costumes et décors travaillés. Une belle réflexion sur le monde du travail et la place de la femme dans une forme de comédie très réussie. A voir et revoir sans aucune lassitude.
Reviewer: Dassonville
Rating: 4.0 out of 5 stars
Title: Top vendeur. Aucun problème.
Review: Top vendeur. Aucun problème.
Reviewer: Lili260
Rating: 3.0 out of 5 stars
Title: Permière partie du film géniale
Review: Le début du film est très réussi : les acteurs, les décors des années 70, les coiffures… La fin est moyenne : d’ailleurs, cette partie n’existait pas dans la pièce de théâtre, dommage qu’elle ait été ajoutée.
Reviewer: prap
Rating: 5.0 out of 5 stars
Title: Très bien
Review: Perso moi j’adore !! J’aime le jeu de rôle et la distribution. Permet de passer un excellent moment. Je l’ai revu déjà plusieurs fois et je trouve qu’on s’en lasse pas. Mais ça reste, on est bien d’accord, un divertissement. Rien de bien sérieux
Reviewer: ZELDA
Rating: 5.0 out of 5 stars
Title: Un chef d’oeuvre
Review: Catherine Debeuve est magistrale, moi qui ne l’aimait pas spécialement, je l’ai adorée dans ce film, du coup j’ai regardé d’autres films avec Deneuve. Fabrice Luchini quant à lui est égal à lui même, sarcastique, caustique, fourbe, menteur, manipulateur … on adore
Reviewer: Martine BAPTISTE
Rating: 5.0 out of 5 stars
Title: Potiche en DVD
Review: Comme je m’y attendais, j’ai beaucoup ri. Je suis très contente de m’être offert ce DVD, je savais que je n’allais pas être déçue, et bien je ne l’ai pas été, au contraire. Je le recommande quand on a le cafard.
Reviewer: Babfont
Rating: 2.0 out of 5 stars
Title: Bof
Review: Un bon divertissement. Pour moi sans plus en effet, ce film traite d’une époque révolue. Je pense que les femmes ont malheureusement encore à prouver leur capacités dans bien des domaines et je trouve ce sujet un peu mièvre et pas très flatteur pour les femmes. Il porte bien son nom. La déception réside dans le fait que même à la fin on garde en tête qu’elles sont potiches voire godiches.
Reviewer: Cancer 1967
Rating: 4.0 out of 5 stars
Title:
Review: Te pones los subtitulos y es una peli excelente y entretenida para mejorar el frances de a2 a b1.Lo más importante, una comedia francesa, el cine francés no se estila mucho en este género.
Reviewer: Christine D’Amour
Rating: 5.0 out of 5 stars
Title:
Review: Livré tel que promis!
Reviewer: KB
Rating: 5.0 out of 5 stars
Title:
Review: Potiche pretends to be silly and lighthearted while being rife with undercurrents that threaten to provide deeper meaning to the story. This is colorful and goofy with acting that approaches broad, then withdraws at the verge as if to regard whether the audience is paying attention. At the lead is Catherine Deneuve (Suzanne), who skillfully plays a smart character that has become accustomed to playing dumb all her life. `Potiche’ refers to the trophy wife that she has become, married to a ignorant and arrogant man (Robert) who rules an umbrella factory as his own private fiefdom. The factory was built and run for years by Suzanne’s father, but he seems to think it was his creation all along. The workers at the umbrella factory strike, Robert storms the protest to give them a good verbal lashing – and is taken hostage. Suzanne is left to negotiate as the head of the factory in his absence with the help of Maurice (Gerard Depardieu), the socialist mayor. While styled as a quick-witted farce, Potiche is filled with conflicting passions. The socialists and capitalists are at each others’ throats, men and women battle for financial supremacy (always thinly veiled sexual warfare), and numerous themes regarding globalization, sexual liberation, and gender roles play a supporting part. First and foremost, it is a comedy, and it is a sharp one at that.Suzanne is the very picture of still waters, though she is none too deep throughout Potiche. She writes simple and silly poems, jogs, and ignores her husband’s clumsy infidelities. She is not stupid, however, just bored. Her husband does not have her fooled, for example, since she just prefers to let other women service the idiot with whom she shares the house. This is where Deneuve shows why she is one of the greatest of actresses – her arc is a practical one, and when given power she runs with it, and it never feels like a false one imbued with informed attributes. Her children do not seem to recognize her abilities, openly mocking her with their assumptions of her simplicity. He daughter Joelle remarks « I do not want to end up like you », with no malice intended. Well, Suzanne just has nothing better to do at the moment. When the strike occurs, she eventually becomes an effective negotiator after considerable trial and error. Maurice is on hand to lend his support, though mostly out of affection for Suzanne, as they shared love once. Robert is thick from start to finish, never accepting the notion that his wife could actually run the factory effectively, though he is correct that she would be incapable of his ruthlessness.While this sounds like a 9 to 5 remake (sans the awesome douchebaggery of Dabney Coleman), Francois Ozon is careful to maintain a tone of breezy silliness. Make no mistake, there is an iron grip on the production, and the tale is meticulously crafted while appearing to take nothing about itself seriously. Potiche is deeply derisive about traditional gender roles, mocks capitalism as only a Frenchman can, and is free to drop acidic dialogue whenever possible. Suzanne is a demure housewife, but this mold is hilariously broken as we get to know her more closely. As the flashbacks begin to pile up with her copulations, and she starts to forget just who she was servicing at any one time, it becomes a joke in itself. The most traditional woman is her daughter Joelle, who is herself a parody of virulently conservative radical women who feel women belong in the home and men belong in the office, holding a bullwhip to use on cheeky employees as often as possible. Robert is a traditional man, and inherits the factory but acts as though he built it. This is a sly play on free market conservatives who are confused by the notion that there is more to success than work. He has his fun with the secretary (who hates him anyway), but Suzanne could not give a toss, her own infidelities committed out of joie de vivre rather than something as insipid as revenge.The film is set in the 1970s amidst a time of economic turmoil, though the subject of globalization (Joelle proposes moving the factory to North Africa) renders the period moot. The issues involved in Potiche are timeless, and perhaps one of the points to be made would be that one must always be adaptable, if not always capable. Suzanne is as egalitarian in her political and fiscal leanings as her sexual conquests, while Maurice appears to be running out of steam. He changes little throughout the film, and it is suggested that perhaps one’s political bent should be either flexible or it had better be disposable.This is a busy film, and one gets the impression that Francois Ozon is constantly messing with you. I appreciate that sentiment, as his best films (Swimming Pool, 5×2) struggle mightily to move the goalposts and deny the audience a comfortable seat. In this, I likely missed some important themes and clever jokes that slid by me, as I was captivated by the enormous sense of humor at the core of Potiche. That, and the flawless and immensely relaxed performances by Deneuve and Depardieu, who inhabit their characters and make acting look easy.
Reviewer: booklover
Rating: 5.0 out of 5 stars
Title:
Review: I found this movie as a fantastic version of the cultural stuff, so much available in France, and so much missing in the Anglo-Saxon world (it is all about happy endings and vampires, isn’t?). The movie touches on many different subjects (neo-liberalism including) but in the form of a comedy, and there are many things to laugh about! The cast is hilarious in a literal sense of the word. Watching Depardieu playing a communist is especially amusing, considering that in real life he renounced being French and became a Russian in order to avoid paying taxes. This added some additional food for thought, taking into account that Depardieu is an amazing actor and is very believable in the role of a communist…
Reviewer: Carrick
Rating: 4.0 out of 5 stars
Title:
Review: The french do a good line in refreshing intelligent comedy, observant iconoclasm, caricature and self mockery. This is very much in that line, not perhaps in the top rank of the genre, but close, and still good fun.The Potiche (Trophy Wife), Deneuve, is on form disproving her label with style and charm. Her awful husband, kids on each political extreme and credible characters all around. Depardieu is OK, but many of the smaller roles are more convincing. The wit is subtle, the story has its twists (you’ll see some comming but won’t predict most of them), and they do feel real.If you like this style, you will love lots of these: ‘Le bonheur est dans le pres’, ‘Les Chtis’, ‘La cage aux folles’, ‘La grande Vadrouille’, ‘L’aile ou la cuisse’, ‘Don Camillo’, ‘Le Placard’ and ‘Le diner des Cons’.

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