Mob Handed [Edizione: Regno Unito] [Import] – Artia13 est rémunéré par notre partenaire Amazon

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A violent and brutal story of a beautiful journalist who will stop at nothing to get revenge for her daughter’s murder. With no help from corrupt cops she decides to take the law into her own hands and joins a vigilante gang of gangsters and football hooligans to track down the sick, sadistic killers and get her justice – mob handed!
Dimensions du colis ‏ : ‎ 19 x 13,8 x 1,8 cm; 80 grammes
Réalisateur ‏ : ‎ Liam Galvin
Format ‏ : ‎ PAL, Importé
Durée ‏ : ‎ 1 heure et 35 minutes
Date de sortie ‏ : ‎ 13 juin 2016
Acteurs ‏ : ‎ Leslie Grantham, Chris Ellison, Danniella Westbrook
Studio  ‏ : ‎ 4digital Media
ASIN ‏ : ‎ B01AWXDPL0
Nombre de disques ‏ : ‎ 1
Prix : 7,75 €
(à partir de Jun 01, 2025 00:39:20 UTC – Details)

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Les acheteurs donnent la note de 3.5/5 à cet article

Avis sur le films
Reviewer: marty c
Rating: 1,0 sur 5 étoiles
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Review: With Billy Murray and leslie grantham headlining, I thought this would be a classic, alas, it became apparent after about 15 minutes that film was devoid of any plot and the ending was left wanting, in fact the whole film was awful.Could have been a great film.Just avoid.
Reviewer: W. Joseph
Rating: 5,0 sur 5 étoiles
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Review: I saw this film a few nights ago. I must admit it was very good. After Liam Galvin’s debut with Killer Bitch, he now comes with Mob Handed which sees Yvette Rowland’s character as a journalist, who’s daughter gets murdered by a bunch of thugs who thinks they can ‘overpower’ her. For that, she decides to seek revenge.. at all costs. But with the police not helping, she turns to a gang of vigilantes led by the Executioner (Rob Reid) to go after the people responsible.There are some good things I like about this film and that really sends a message. If someone does something wrong to you, you hit back. With Liam’s directional point of view, yes. He sees this as in a way of when someone does something really bad, you go out and get justice by using brute force against the people who think they are above the law. In this day and age, the system doesn’t always go as according to plan especially when some criminals do something bad and think they go to prison for a long stretch. Whereas others end up doing a few months and then they go out on the streets again to commit more crimes.Although it’s a low budget film, with a great ensemble cast of well-known British actors, including Yvette’s performance as Ava. It really does work out. Great music and soundtracks which kept the film going.I’m gonna give this one a thumbs high. A really cool film. (I know some people will disagree, but that’s how i see it.)Liam Galvin’s a force to be reckoned with. I hope his next feature will be another good one.
Reviewer: DJM
Rating: 3,0 sur 5 étoiles
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Review: God, where to start. First, i want to state that i have a lot of love for director Liam Galvin’s feature debut Killer Bitch (2010). One of, if not the only low budget British genre film of recent years that i re-visit without the feeling that i’m wasting my life on this arena of tax rebate shysters and am-dram hardens with RED’s. Finally, out of this self-important, self-inflating filmmaking sub-culture, someone came out with psychotronic majesty. A film for the ages, time will show Killer Bitch to be the perfect time capsule of this era of independent British filmmaking. Not only are all the usual suspects responsible for the era (like in Mob Handed) are in front of screen, it’s humour and vulgarity make it guaranteed it will find it’s audience.Now, with his second feature…. It is really difficult for me to review this film.On one hand, it’s pure tabloid style exploitation filled with righteous, populist anger like Fight For Your Life (1977) or Tenement (1985), sincere with it’s aggression without forgetting to entertain as well as « inform ».On the other, it’s a open call to murder, or at least very convincing of being one. No matter if the targets are pure scum. A subject matter so grim is at odds with the fist through glass through face directorial style and makes for an uncomfortable ride, which is the point i guess, but come on, you’re killing these c**ts by motor-cross and Tank, then try to tell a sincere story about a mother’s loss of her daughter. Pick an angle!I guess I’m at that point that every fan of exploitation cinema dreads reaching when their limit is met and approach material that is just « no, that’s just wrong ». Whether it’s the goat feeding in Top Sensation (1969) or near everything in Nekromantik (1987) or a certain piece from Serbia whose, let’s be honest, only lasting legacy is going to be installing xenophobia in people, boundaries are met and those who laugh, laugh a little too hard.Mob Handed meets that boundary for me. Yewtree and the V.I.P scandal have uncovered revelations that have put firm nails in that notion of a Great Britain. Moral exceptionalism that justified concentration camps in India and the Troubles is now rightfully seen as the barbaric mindset that it was and the exposure of these elite scum is going to serve well to further push Britain, kicking and screaming, into the 21st century. A braver, less oligarchical nation, hopefully.The issues raised in Mob Handed are ones that DO need to be raised in British cinema and TV. A Savile biography for instance, is essential, not as an attempt to heal permanent scars, but more a national apology, a time capsule of the establishment saying sorry for allowing such evil to fester.Mob Handed goes in some ways towards being this apology. But however, it’s too reactionary and pitchfork provoking to be seen as a serious text and investigation into such matters. I question the amount of research that went into the script. A sentence i would have slapped myself over when attempting to describe Killer Bitch. However, this is the game Galvin wanted to play, even going so far as to devote the film to abuse victims in the end credits.Contradictions was one of the reasons why i liked Galvin’s debut so much; their sheer volume and their place within a variety of departments. Accomplished (probably) licensed soundtrack, yet impoverished sound design. Sympathetic female lead, yet misogynistic humour throughout. Self-referential, forth wall breaking humour yet a narrative riddled with clichés. Beautiful stuff.Mob Handed has these as well, but their contrasts are more sharply felt by the audience. Sultry pop rock played over a predator chasing a girl. A camp as all hell supern**ce (A severely repressed Daily Mail reader’s interpretation of Freddy Kruger) blowing Jason Marriner before killing him (off screen, thank Christ). An overwrought, but mother of god is it sincere, kangaroo court scene followed by a Freddy style ‘gotcha’ ending. If you had told an uninformed me that Mob Handed was made six months (not six years!) after Killer Bitch, i would have believed you then and there. However, if you told me the writer was on heroin, I would had also believed that.I guess it’s down to personal sensibilities rather than any fault of the film. I mean, Killer Bitch was not without it’s rape or casual sadism, but i was under the impression for the long while that i was viewing the work of a mad genius. Back down to earth, i realise that i was just watching a serious and accomplished, despite unproven, filmmaker slumming it, despite evidently enjoying himself.Mob Handed seems to be more his speed and I find it to be both commendable and condemnable in equal respect. Galvin tackles a sensitive subject matter insensitively and the result is yet another car wreck. But the best thing i can say about Mob Handed is that it is uniform to Killer Bitch and proves Liam Galvin is a bonafide force of nature and that his previous feature was not a fluke born out of insane circumstances. I reckon that even if this was a more conventional female rape revenge narrative, i’d warm up to it more. I guess it speaks volumes of my character that it’s only when children get involved do i find things get too much.Removed from my better judgement, i recommend Mob Handed as a true blue example of WTF cinema. It’s a sorry, angry little film that is still worth ten of it’s kind for the sheer disturbing passion involved in the production.
Reviewer: Stephen price
Rating: 1,0 sur 5 étoiles
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Review: Crap! Please don’t waste your money.
Reviewer: Happy
Rating: 5,0 sur 5 étoiles
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Review: Great film just wished dave courtney had more screen time

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